Unit 1 International Animation Festival 1
第一單元 國(guó)際動(dòng)畫(huà)節(jié) 1
1.1 Annecy International Animation Festival 2
1.2 Zagreb World Festival of Animated Films 5
1.3 Holland Animation Film Festival 8
1.4 Ottawa International Animation Festiva 11
1.5 Hiroshima International Animation Festival 14
1.6 Red International Animation Festival 17
Unit 2 Animation Studios and Master 20
第二單元 動(dòng)畫(huà)工作室和動(dòng)畫(huà)大師 20
2.1 The Carton King of Japan 21
2.2 Carlos Saldanha 25
2.3 Shinichiro Watanabe 27
2.4 David Daniels 30
2.5 About ILM 32
2.6 LAIKA Studios 36
2.7 The foreword of Wallace and Gromit 39
Unit 3 Animation technology 42
第三單元 動(dòng)畫(huà)技術(shù) 42
3.1 Three things 43
3.2 Character Simulation 46
3.3 Sand and Glass 49
3.4 Tom Bowness 52
3.5 Budgets: Computer Animation 56
3.6 Design 59
3.7 Music Not Prescored 63
3.8 Music and the Animated Picture 66
3.9 Movement(一) 73
3.10 Movement(二) 76
3.11 Eye Compositing Effects for Madame Tutli-Putli(一) 79
3.12 Eye Compositing Effects for Madame Tutli-Putli(二) 84
3.13 Foam Puppet Fabrication Explained 89
Unit 4 Extended Reading 97
第四單元 拓展閱讀 97
4.1 Spirited Away Movie Review & Film Summary(2002)—Roger Ebert 98
4.2 Disney’s ‘Frozen’: The Acting and Performance Analysis 105
4.3 Hayao Miyazaki: Ranking His 10 Movies 117
4.4 In Conversation With Merlin Crossingham, Lead Animator At Aardman Animation 122
4.5 Film Fables Spun in Japan 135
4.6 Roger Ebert—Franken weenie 141
4.7 Why are Japanese cartoons a global hit 145
4.8 Chinese make big push into animation-latimescom 149
4.9 The Curious Art of Developing a Known Property 155
4.10 Animation Workflow 158
AppendixⅠ Answers To Exercises 169
附錄1 習(xí)題解答 169
AppendixⅡ Professional Terms 177
附錄2 動(dòng)畫(huà)和影視專(zhuān)業(yè)英語(yǔ)詞匯 177