Acknowledgements Preface: Study Groups, Honeybees, and Dialogues in Applied Ethnomusicology Introduction: The Vibrant and Diverse Practices of Applied Ethnomusicology Part One: General Refleetions on the Field Applied Ethnomusicology in China and Beyond: Dialogues and Reflections Outreach, Inreach, Transreach? - Defining Types of Musical Community Engagement Let's Not Forget the Larger Context: Short-term Applied Projects and Long-term Sustainability Part Two: Applied Ethnomusicology and Intangible Cultural Heritage Ways of Engaging with Traditional Music Performances by Chinese Ethnomusicologists: A Personal Perspective Uyas Kmeki of the Seediq: A Case Study on the Efforts toward Cultural Sustainability in Taiwan Practice and Experiment: China's National Cultural Ecosystem Conservation Areas as a New Approach to Intangible Cultural Heritage Incorporating Intangible Cultural Heritage in a Local Conservatory: The Case of Dongbei Dagu, a Narrative Art from Northeastern China Part Three: Applying Ethnomusicology in Various Settings Applied Ethnomusicology in Museum Exhibitions: Critical Reflections on Sound Narratives as a Method for Knowledge Transfer Music Without Borders: Austria as a Case Study in Conducting Intercultural Music Education Through Ethnomusicology Performing Cultural (Un-) Sustainability: Rationale and Impact of an Applied Theatre Workshop in a West-African Graduate Programme Rama and the Worm: A Performance-Based Approach to Applied Ethnomusicology Quilombo, Favela, Rua: Sarau Divergente in the Fight against Black Genocide in Rio de Janeiro Note: Other than Xiao Mei and Gao Shu, all Chinese names are presented with family names coming last.
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