中國詩詞曲史略

定　價(jià)：￥88.00

作　者：	張伯偉著
出版社：	北京大學(xué)出版社
叢編項(xiàng)：
標(biāo)　簽：	暫缺

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ISBN：	9787301333310	出版時(shí)間：	2022-10-01	包裝：	精裝
開本：	16開	頁數(shù)：		字?jǐn)?shù)：

內(nèi)容簡介

　　《中國詩詞曲史略》所論述的，是以漢語為表現(xiàn)媒介的詩詞曲，在中國文化精神的影響下產(chǎn)生和變遷的歷史。全書由上下兩編構(gòu)成。上編為詩歌概論，從詩字原始觀念的形成、《詩經(jīng)》和《楚辭》，論述到少數(shù)民族詩人和域外漢詩，在最廣泛的范圍中展示了中國詩學(xué)在技巧上、題材上、語言上和審美趣味上的變化；下編為詞曲概論，全面考察了從詩到詞、從詞到曲的轉(zhuǎn)折，并且比較了詩詞曲在形式、內(nèi)容和風(fēng)格上的異同，勾勒出詞曲歷史的發(fā)展脈絡(luò)。最后，綜合詩詞曲中白話因素的不斷增強(qiáng)，指出新詩在整體上取代舊詩的歷史必然。本書有兩個(gè)寫作重心，一是注重中國詩學(xué)初創(chuàng)期和轉(zhuǎn)型期的討論，包括觀念和技巧、題材和審美趣味；另一個(gè)重心是注重詩歌語言的變遷，重點(diǎn)從這兩個(gè)角度描述了兩千五百年詩詞曲的復(fù)雜而曲折的變遷史。

作者簡介

　　張伯偉，南京大學(xué)文學(xué)院教授、域外漢籍研究所所長。曾任日本京都大學(xué)、韓國外國語大學(xué)及臺(tái)灣大學(xué)、香港科技大學(xué)、香港浸會(huì)大學(xué)客座教授。著有《中國古代文學(xué)批評(píng)方法研究》（2002）、《全唐五代詩格匯考》（2002）、《清代詩話東傳略論稿》（2007）、《東亞漢籍研究論集》（2007）、《禪與詩學(xué)》（2008）、《作為方法的漢文化圈》（2011）、《域外漢籍研究入門》（2012）、《東亞漢文學(xué)研究的方法與實(shí)踐》（2017）、《日本世說學(xué)文獻(xiàn)序錄》（2021）等；編纂《朝鮮時(shí)代書目叢刊》（2004）、《中華大典·文學(xué)理論分典》（2008）、《朝鮮時(shí)代女性詩文集全編》（2011）、《日本世說新語注釋集成》（2020）等。

圖書目錄

新版前記 ···················································································1
導(dǎo)　言 ······················································································5

上編　詩歌史略

第一章 “詩”字原始觀念的形成及其流變 ······································11
第一節(jié) “詩”字古義檢討 ·····················································11
第二節(jié) “詩”的觀念從宗教到人文的展開 ································13
第三節(jié)　從“詩”的早期觀念看中國詩學(xué)的若干特質(zhì) ···················19
第二章　溫柔敦厚和香草美人——中國詩學(xué)的初建 ····························23
第一節(jié)　春秋戰(zhàn)國時(shí)期詩歌的地域性 ········································23
第二節(jié) “《詩經(jīng)》學(xué)”上諸概念的詮釋 ···································26
第三節(jié)　《楚辭》的興起 ·······················································41
第三章　秦漢大一統(tǒng)制度下的詩歌 ·················································53
第一節(jié)　秦漢文化政策及其對詩歌的影響 ··································53
第二節(jié)　樂府詩的消長 ··························································57
第三節(jié)　文人五言詩的形成與成熟 ···········································67
第四章　士人之詩與貴游之詩 ·······················································73
第一節(jié) “五言騰踴”的建安詩壇 ············································73
第二節(jié)　士人之詩的系列及特征 ··············································80
第三節(jié)　貴游之詩的系列及特征 ··············································94
第五章　唐詩的發(fā)展 ·································································114
第一節(jié)　南北文風(fēng)的交融和唐詩面貌的形成 ······························115
第二節(jié)　盛唐氣象 ·······························································123
第三節(jié)　唐詩的新變局 ·························································136
第六章　宋詩的特征及其形成 ·····················································149
第一節(jié)　宋詩產(chǎn)生的文化背景 ················································149
第二節(jié)　宋詩的發(fā)展及其特征的形成 ·······································154
第七章　少數(shù)民族詩人的崛起 ·····················································172
第一節(jié)　遼　朝 ··································································174
第二節(jié)　金　源 ··································································177
第三節(jié)　元　代 ··································································182
第四節(jié)　清　代 ··································································188
第八章　域外漢詩總說 ······························································194
第一節(jié)　朝鮮半島漢詩 ·························································195
第二節(jié)　日本漢詩 ·······························································206

下編　詞曲史略

第九章　詞體的形成 ·································································229
第一節(jié)　詞體的起源音樂與文學(xué) ·············································229
第二節(jié)　詞體的形成——從《云謠集》到《花間集》 ··················231
第三節(jié)　詩詞異同兼論詞體的特征 ··········································236
第十章　兩宋詞的發(fā)展 ······························································244
第一節(jié)　從伶工之詞到士大夫之詞 ··········································244
第二節(jié)　慢詞的創(chuàng)新與詞境的升華 ··········································248
第三節(jié)　格律詞和豪放詞的發(fā)展 ·············································255
第十一章　清代詞學(xué)的“中興” ··················································272
第一節(jié)　清初詞壇 ·······························································272
第二節(jié)　清詞流派 ·······························································278
第十二章　散曲的形成與特色 ·····················································292
第一節(jié)　散曲的淵源與形成 ···················································292
第二節(jié)　散曲的特征 ····························································297
第十三章　散曲的發(fā)展 ······························································304
第一節(jié)　元散曲 ··································································304
第二節(jié)　明散曲 ··································································316
第十四章　從舊詩到新詩 ···························································327
第一節(jié)　傳統(tǒng)詩詞曲中白話因素的演變 ····································328
第二節(jié)　新詩的發(fā)展 ····························································335
參考文獻(xiàn) ················································································346